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WAJINGA NYINYI

King Kaka’s bold song that does not elicit pertinent public conversations

The very folks who are busy applauding him will eventually troop back to their tribal cocoons come 2022 and vote along non-issues.

In Summary

• King Kaka’s spoken word has been acclaimed as thought-provoking and to be honest, some of us are still trying to figure out what is thought-provoking.

• Is it the fact that he abused Kenyans, called out leaders on things that we already know or his inept creativity in the lyrics?

King Kaka outside the DCI offices
King Kaka King Kaka outside the DCI offices
Image: DOUGLAS OKIDDY

Music and musicians are very critical and like literary artists, they have a greater role in not only moralising society, but also exposing injustices.

Africa boasts of giants in the art and literary world, who used the pen to great effect. Dennis Brutus, one of the world’s finest poets, used his poems to fight the apartheid regime and at no point did he slip to attention and publicity that we see among the current generation of poets and artists.

In 2007, he turned down the invitation to be inducted into the South African Sports Hall of Fame. His reason was very simple: Folks who had championed racists sports were still in South African sports alongside their victims, yet he had seen no apology.

The consistency of this great poet is unmatched and in one his poems that I consider the best, Sirens, Knuckles and Boots (1963), he vividly captures the police state in apartheid, South Africa, with such powerful images and finesse. And unlike our shock jocks, he does not even mention the police, the oppressors or the victims. For him, it was the issue and exposure of the issue and he certainly contributed big time in raising the consciousness. His consistency is underscored by his follow up poem on the same theme titled Still Sirens published 30 years later in 1993.

Now, juxtapose Brutus’s work with our Kenyan artists-cum- social activists. King Kaka’s spoken word has been acclaimed as thought-provoking and to be honest, some of us are still trying to figure out what is thought-provoking. Is it the fact that he abused Kenyans, called out leaders on things that we already know or his inept creativity in the lyrics? And could this be a ploy to get attention and then delve into politics.

The DCI has already pronounced himself on the musician’s allegations and now folks who were jumping all over the place celebrating Kaka are beginning to discern that they are indeed wajinga. Sounds like it was all about attention.

You see, we live in a democracy and it is naïve to think that it reasons like King Kaka. It does not and to situate our democracy within our African context needs deeper conversations beyond the flippant issues raised by in Wajinga Nyinyi spoken word. There is a broader context within which voters evaluate the political class and abusing Kenyans does not address that, and neither does it elicit conversations that would illuminate the pertinent issues.

Reminding Kenyans of what we already know and putting King Kaka at the same pedestal as Dennis Brutus and the likes of Ken Saro-Wiwa, as I have seen a few keyboard warriors do on social media, is not only unfortunate but also despicable. On the one hand, we have real artists who used their creative conceit to fight injustices in their societies, while our very own is using his popularity to push what is increasingly appearing to be a personal agenda.

The very folks who are busy applauding him will eventually troop back to their tribal cocoons come 2022 and vote along non-issues. Why? Because inasmuch as he has loudly repeated what we already know, he has done very little to spur the right public conversations. He, unfortunately, seems to be offering no insights on the way forward. Even the folks joining the conversation seem to convolute the very issue and now we are talking about King Kaka. After the release of the track, conversations have been on defamatory suits and as usual, the script is taking the familiar trajectory of showbiz.

Pertinent issues have been put aside and we are talking about lawyers, musicians and all and sundry who have come out in support and as usual there a hashtag to go with it.

Expansion of the democratic space in Kenya and the freedom of expression have provided a fairly wide latitude for public conversations. Unfortunately, the attendant responsibility that comes with these freedoms seems to be lacking. Unleashing the outrage attack on individuals who find the song or spoken word defamatory is in itself denying other Kenyans fundamental rights.

Just like a work of art is independent of the artists so is defamation to different individuals. Only a court of law can determine and the social media or news headlines should not be a basis condemning people as corrupt or protecting people who are perceived to have violated the reputations of others.

 

Communication and media researcher and a specialist in hypermedia campaign and advocacy